Post by Bonobo on Nov 9, 2010 23:15:21 GMT 1
The film was made in 1984. Movie theaters were stormed by excited audience - I think I myself saw it thrice.
One of the most hilarious films in the Polish cinema.
Also, gained incredible popularity in other communist countries. Although in the USSR was shown under the title: New Amazon warriors.
The English subtitles are a bit messy here. So you`d better order a DVD.
Sexmission (Polish: Seksmisja) is a 1984 cult Polish comedy science fiction action film. It also contains a hidden political-satire layer specific to the time and place of its original screening.
Plot
The two protagonists, Max and Albert, played by Jerzy Stuhr and Olgierd Łukaszewicz, respectively, submit themselves in 1991 to the first human hibernation experiment. Instead of being awakened a few years later as planned, they wake up in the year 2044, in a post-nuclear world. By then, humans have retreated to underground living facilities, and, as a result of subjection to a specific kind of radiation, all males have died out. Women reproduce through parthenogenesis, living in an oppressive feminist society, where the apparatchiks teach that women suffered under males until males were removed from the world. Einstein was a woman, too.
The cold-shoulder treatment Max and Albert receive from the women, their character differences and specific realities of future life serve as background of many humorous encounters. The plot thickens when it turns out that the females have no interest in the rebirth of men, and that for the good of society, the two males are to be killed or 'naturalised', i.e. undergo a sex-change. While trying to break away, Max and Albert find out the impact of their masculinity on women. With one of the scientists on their side, the men choose freedom and prefer to escape and die outside. In doing so, they discover the truth: radiation was just a feminist lie to keep women underground, and begin thinking of bringing it back to "normal".
Political and social satire
The film contains numerous subtle allusions to the realities of the communist-bloc society, particularly to that of the People's Republic of Poland just before the fall of communism, perhaps in the anticipation of the major events to come.[specify][citation needed] When Max and Albert escape, they jump through the wall, which then starts to shake (often associated with later Lech Wałęsa's jumping over the wall of the Gdańsk shipyard, and also with the subsequent fall of the Berlin wall). The secret meeting of the women league apparatchiks and their lies to the women parallels the communist soviet government. This dimension of the movie appears to typically escape the viewer more removed from the context. Some sections of this kind were left out from the version shown in Polish theaters by the communist censors[citation needed], but many passed through.
The movie can also be viewed as a satire directed at intergender conflict (wrong-headed feminism or wrong-headed masculism), prudery, or totalitarianism.
Reception
The film has been very popular in Poland. It was proclaimed to be the best Polish film of the last 30 years in a 2005 joint poll by readers of three popular film magazines.[1] However, this assessment by the audience was considered to be a surprise as it disagreed with the historical rankings of Polish movies by the professional film critics[1]. It received the Złota Kaczka award for the best Polish movie of 1984.
One of the most hilarious films in the Polish cinema.
Also, gained incredible popularity in other communist countries. Although in the USSR was shown under the title: New Amazon warriors.
The English subtitles are a bit messy here. So you`d better order a DVD.
Sexmission (Polish: Seksmisja) is a 1984 cult Polish comedy science fiction action film. It also contains a hidden political-satire layer specific to the time and place of its original screening.
Plot
The two protagonists, Max and Albert, played by Jerzy Stuhr and Olgierd Łukaszewicz, respectively, submit themselves in 1991 to the first human hibernation experiment. Instead of being awakened a few years later as planned, they wake up in the year 2044, in a post-nuclear world. By then, humans have retreated to underground living facilities, and, as a result of subjection to a specific kind of radiation, all males have died out. Women reproduce through parthenogenesis, living in an oppressive feminist society, where the apparatchiks teach that women suffered under males until males were removed from the world. Einstein was a woman, too.
The cold-shoulder treatment Max and Albert receive from the women, their character differences and specific realities of future life serve as background of many humorous encounters. The plot thickens when it turns out that the females have no interest in the rebirth of men, and that for the good of society, the two males are to be killed or 'naturalised', i.e. undergo a sex-change. While trying to break away, Max and Albert find out the impact of their masculinity on women. With one of the scientists on their side, the men choose freedom and prefer to escape and die outside. In doing so, they discover the truth: radiation was just a feminist lie to keep women underground, and begin thinking of bringing it back to "normal".
Political and social satire
The film contains numerous subtle allusions to the realities of the communist-bloc society, particularly to that of the People's Republic of Poland just before the fall of communism, perhaps in the anticipation of the major events to come.[specify][citation needed] When Max and Albert escape, they jump through the wall, which then starts to shake (often associated with later Lech Wałęsa's jumping over the wall of the Gdańsk shipyard, and also with the subsequent fall of the Berlin wall). The secret meeting of the women league apparatchiks and their lies to the women parallels the communist soviet government. This dimension of the movie appears to typically escape the viewer more removed from the context. Some sections of this kind were left out from the version shown in Polish theaters by the communist censors[citation needed], but many passed through.
The movie can also be viewed as a satire directed at intergender conflict (wrong-headed feminism or wrong-headed masculism), prudery, or totalitarianism.
Reception
The film has been very popular in Poland. It was proclaimed to be the best Polish film of the last 30 years in a 2005 joint poll by readers of three popular film magazines.[1] However, this assessment by the audience was considered to be a surprise as it disagreed with the historical rankings of Polish movies by the professional film critics[1]. It received the Złota Kaczka award for the best Polish movie of 1984.