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Post by Bonobo on Feb 13, 2013 19:58:34 GMT 1
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Post by Bonobo on Mar 25, 2016 21:09:26 GMT 1
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Post by Bonobo on Apr 10, 2017 20:09:05 GMT 1
I found a nice site about it. kusaki.pl/historia-history/The custom was mentioned for the first time on the 22nd of February, 1860 at the Warsaw daily newspaper, in a letter of Jan Kloczkowski, the parish priest in Jedlinsk, who described the carnival spectacle. However, the origins of this custom are much earlier. „Beheading of the Death” is a custom that ends carnival and winter as well. According to some theory the beginnings of the custom go to the sixteenth or seventeenth century, when effigies personifying winter were destroyed through their beheading, drowning or burning in different parts of Poland and Europe. In comparison with the majority of Polish rites of carnival, „The Beheading of the Death” is the most theatrical. The main characters are: silent Death, executioner (headsman), mayor, town council (Jedlińsk, now a willage, used to be a town) and townspeople – citizens prosecuting Death, including Jew. These characters are involved in the main theatrical part of the custom. There are many supporting characters one may meet on the streets Jedlińska by the „meager” Tuesday: a Gypsy man, a Gypsy woman, a bride, little devils, policemen, a crone, a peasant, a devil woman, an angel etc. All the characters – even female – are played by men. Some of the roles and are played by the representatives of Jedlińsk families through generations.
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Post by jeanne on Apr 10, 2017 22:25:56 GMT 1
I found a nice site about it. kusaki.pl/historia-history/The custom was mentioned for the first time on the 22nd of February, 1860 at the Warsaw daily newspaper, in a letter of Jan Kloczkowski, the parish priest in Jedlinsk, who described the carnival spectacle. However, the origins of this custom are much earlier. „Beheading of the Death” is a custom that ends carnival and winter as well. According to some theory the beginnings of the custom go to the sixteenth or seventeenth century, when effigies personifying winter were destroyed through their beheading, drowning or burning in different parts of Poland and Europe. In comparison with the majority of Polish rites of carnival, „The Beheading of the Death” is the most theatrical. The main characters are: silent Death, executioner (headsman), mayor, town council (Jedlińsk, now a willage, used to be a town) and townspeople – citizens prosecuting Death, including Jew. These characters are involved in the main theatrical part of the custom. There are many supporting characters one may meet on the streets Jedlińska by the „meager” Tuesday: a Gypsy man, a Gypsy woman, a bride, little devils, policemen, a crone, a peasant, a devil woman, an angel etc. All the characters – even female – are played by men. Some of the roles and are played by the representatives of Jedlińsk families through generations. I love learning about these customs that go 'way back yet continue!!
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Post by Bonobo on Apr 11, 2017 22:24:42 GMT 1
I love learning about these customs that go 'way back yet continue!! Me too!!
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