Warsaw - Joy Division Jun 1, 2013 21:03:36 GMT 1
Post by pjotr on Jun 1, 2013 21:03:36 GMT 1
The anger in the music I expressed in my paintings and drawings, but also played more peaceful and relaxed music like the Eurythmics
Warsaw (named after a David Bowie song from his album Low) was the planned debut album by the English post-punk band later known as Joy Division. Recorded in May 1978 it consisted of eleven tracks, however the band was disappointed by the post-production done by RCA producers and the album was scrapped. The album circulated on bootlegs bearing the same title until it was commercially released in 1994 (along with a number of other tracks). The original track listing included all four tracks from An Ideal for Living EP. The commercial release included the original Warsaw album plus "As You Said" which was recorded and released in 1980 on the "Komakino" single, as well as the band's first recorded music, "The Warsaw Demo", songs from which were noted as 'bonus tracks'. Incidentally, Bernard Sumner sings the chorus in this album's version of "They Walked In Line".
"Warszawa" is a mostly instrumental song by David Bowie, co-written with Brian Eno and originally released in 1977 on the album Low.
The arrangement is meant to evoke the desolation of Warsaw at the time of Bowie's visit in 1973. The mysterious lyrics and the piece of melody in the middle part of the song are based upon a recording of a Polish folk choir Śląsk.
The piece was developed using many of Eno's spontaneous and deeply experimental techniques, with Bowie choosing the creation of a texture over creating a piece that fit in context with his other songs. Resorting to Eno's techniques of "planned accidents," first a click track of 430 clicks was created by hand. From these clicks, a few were selected at random and catalogued. Eno and Bowie would each wait for their randomly selected clicks to sound, which would cue them to play a chord. When the clicks were removed, the song's basic skeleton of chord changes remained, and the gaps were filled by their writing, with Eno on instrumentals and Bowie on vocals.
The result is a suggestive piece in four sections. The first section is sparse and mainly in octaves. Then at 1:17 the harmony fills out and the key changes to F# and the second section - the longest in the piece - starts. At 3:47 there is another striking key change, the texture thins out again and Bowie's vocal part starts. At 5:24 seconds the final section starts and this section basically comprises a repeat of a chunk of the second section.
All vocals were composed and performed entirely by Bowie, despite the presence of 110 voices. Eno remarked that despite his tendency to work slowly as his own synthesizer technician, Bowie managed to complete his portion of the track rather quickly, recording all his voices in 20 minutes.
It was used as a live opener on Bowie's 1978 and 2002 tours. Rather than quickly delving deeply into loud rock music, the song was used to intentionally provoke the audience into a calm, holding them initially in deep suspense. Bowie's choice to maintain a low profile during 1978 was expressed through his entrance to the stage during this song, not singing, but simply sinking into the band and playing the Chamberlin until his cue to sing the lyrics.
The band Joy Division was originally named Warsaw in honor of this song, and it features in the 2007 film about Ian Curtis called 'Control'.
This was for me the most important band during my Art academy
student time in Arnhem. I always played their music in my studio.
P.S.- I couldn't find the New Wave thread so I posted it here.